Prosecutors say he was arrested in the Iranian year of 1385 (March 2006-March 2007) and sentenced the next year. It is not clear why the punishment was carried out more than 10 years later. The photographs show a young man tied to a tree being flogged by a masked man in uniform. A small crowd of people can be seen watching at a distance. “The circumstances of this case are absolutely shocking, representing another horrific example of the Iranian authorities’ warped priorities,” Amnesty’s Middle East and North Africa Director, Philip Luther. said in a statement. “No-one, regardless of age, should be subjected to flogging; that a child was prosecuted for consuming alcohol and sentenced to 80 lashes beggars belief.” The Young Journalists Club website quoted Kashmar’s prosecutor as saying M R consumed alcohol at a wedding where an argument caused a fight in which a 17-year-old boy was killed . He was not suspected of involvement in the death. Article 265 of Iran’s Islamic penal code states that the punishment for consumption of alcohol by a Muslim is 80 lashes. More than 100 other offences are punishable by flogging, including theft, assault, vandalism, defamation and fraud, as well as acts that Amnesty said should not be criminalised, such as adultery, intimate relationships between unmarried men and women, “breach of public morals” and consensual same-sex sexual relations. Mr Luther said Iran should abolish all forms of corporal punishment.
Which is more or less the story with the film as a whole, which starts out promising but can’t really deliver on its serious intentions. Reeves may be best known these days for his two “John Wick” movies (a third is on the way), but those expecting another violence-laden legendary assassin role are going to be disappointed. Instead Reeves plays diamond merchant Lucas Hill, a well-heeled habitué of private jets with a nicely trimmed beard and the expensive wardrobe to match. Lucas has picked up some combat skills along the way, but a member of the killer elite he is not. Similarly, while “Siberia” has designs on combining thriller elements with a serious romantic drama about love, commitment and masculine codes of honor, it doesn’t work out that way. As written by Scott B. Smith (“A Simple Plan”) from an idea hatched by Reeves’ business partner Stephen Hamel and Smith, “Siberia” does benefit, as all of his films do, from Reeves’ restrained presence. A master of charismatic nonchalance, Reeves is as usual a man of few words, and in this case many of them are in Russian. When Lucas says to another character, “You’re not much of a talker, are you,” it plays like the inside joke it undoubtedly is. Lucas speaks Russian because that’s where some of his best customers are.
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